Writing Innovative Poetry




Writing innovative poetry, the kind of poetry that reputable literary journals publish, entails knowing exactly what each word of a poem does to the reader. A good poem should be evocative, skillful, and cohesive, but before trying to hone these attributes, a possible poet ought to be knowledgeable of the various forms and attributes of contemporary poetry. A good way to learn more about the aspects of contemporary poetry is to take classes, join writing workshops, and subscribe to contemporary literary journals. Reading and understanding good poetry is vital to being able to write good poetry.


The first stage of writing a good poem comprises a procedure for brainstorming. There are a variety of ways to approach this process, but after a good deal of experimentation, the poet will get the one which works best for her or his personal style. Some poets will start this process by actually writing a poem. Other poets will write prose or notes until he or she places something which could be developed into a poem. The most important concept to consider with regard to the first phase would be to write fearlessly. Write without wanting to sound poetic, avoid abstractions, and be as detailed as you can. Write what's on your mind without worrying too much about literary, literary devices, and line breaks. Often, when someone engages is this type of free writing, they will naturally write in some type of rhythm or pattern. It is in the next phase of writing that these organic literary finesses are smoothed out and heightened.

The next stage of writing entails looking for a shape within the words which have been publicly composed. Read the words out loud, paying careful attention to phrases and words which leave an indelible impression. Then, prune some of the speech by omitting unnecessary lines and hackneyed expressions, such as "I walk this lonely path," or, "My heart cries out." A good poem will have new images and is going to give unique perspectives. If you discover hackneyed or overly abstract expressions in your writing which are pertinent to the overall subject of your piece, try rewriting them using speech that has never been used before to describe these feelings or situations. Also, pay attention to whether your poem is telling its own message into the reader or if it is showing the message via unique images. A good illustration of telling would be, "I am sad and lonely." An example of displaying would be, "I fall into his empty chair, listlessly holding his photograph... "


Once you've detected the form of your poem and reworked the language to include fresh images, you'll have to read it out loud. Listen to the line breaks. Listen to the true language. Ask yourself if the line breaks are not appropriate. Are there abrupt words hanging in the ends of any traces? Do you have conjunctions or prepositions trailing at the ends of your lines? If so, you may have to rework the traces, and at times, you might have to reword entire lines. This stage also has getting constructive criticism from authors or poetry fans who will be objective using their opinions. You can search for or start a poetry critique group in the local area, or you may join one of the many review forums and workshops on the internet. This part of the process may be the most challenging for new poets that aren't accustomed to having somebody digging around inside their creative jobs with a scalpel. Understand that even incredibly well crafted poems can get their fair share of comments from the critics. Additionally, adhere to your intentions. If a politician misreads your bit, it might very well signify that you need to rework your piece within your own aim.

Finally, after having written your poetry with all the wisdom and understanding you've gained through classes and reading, and after having reworked and submitted your piece for review, you're prepared for your final draft. Your final draft is not a last product. Your final draft is exactly what all of your hard work so far has generated, however you will need to read it again, maybe every day, a month, sometimes even years after you have written it.



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